About “Oh what a lovely war” the play by joan littlewood Essay

This classic play devised by Joan Littlewood and the Theatre Workshop takes a ridiculous and light-hearted walk through the history of World warfare One. The production brims with anecdotes, tricks, songs and dance, besides we atomic number 18 never allowed to forget that the Great War was no joke, and are presented with a thought-provoking insight into the futility of war. It was written in the time of the swing 60s, a time of rebellion from the youth against the conformities of their seniors. Especially when it came to the futility of war the Vietnam War was on topic opinion. Unbeknown to popular belief this is not the mind Littlewood wrote her play. The production came to life through the combined efforts of director and actors in Joan Littlewoods Theatre Workshop in 1963. They had been provoked by a BBC course with songs from WW ITerrible Sentimental. All that feeling and no imagination. Pure nostalgia. They couldnt sing care that stuck in a trench Waiting for the si de by side(p) bomb to blow their heads off. These were the words of Littlewood and her actors.World War 1 was responsible for(p) for the deaths of 10 million people, the equivalent of a twin tower fortuity every day for 4 years. From the play you receive a awareness of near blind patriotism and hope which is exemplified through the songs such as good byee-ee. These moments contrasts from the heightened physicality like the drill sergeant. The drill sergeant division dimensions were he was a tall man, of the upper classes. His character dimensions differed from the soldiers he was hard to instruct. They were poor, low class and incompetent. Oh what a lovely war provides all the Elements of Drama. hexad major elements of drama according to Aristotle plot, character, theme, dialogue, music, spectacle. MC part, he tells a joke have you heard the one about The great Von and his 3 daughters The MC controls all the action in the play. This is very similar to the Threepenny opera wri tten by Bertolt Brecht and Kurt Weills. Both plays show their meaning through songs, like I dont want to be a soldier and The Ballard of sexual imperative. A contrasting play would the naturalistic play of thechildren. another(prenominal) than character dimensions I have learnt Emotional Perception. The detection and apprehension of wound up states, feelings and reactions both in oneself and others. Emotional Recall and Expression. Emotional perceptions elicited from knightly experiences which can be used in understanding, portraying, and reflecting on the human build and human behaviour. Guided Dramatic Play. Imaginative play stimulated by a trained leader. Nonverbal Communication. Communication without words using facial nerve expression, gestures, and body language. Playing Space and Audience Space. An area for dramatic activities. A cleared space in a classroom without a designated assign for observation by an audience. Theatrical production clearly establishes an acting ar ea, or stage, and a designated audience area proscenium (one side), thrust (three sides), area (four sides).